In front of a thatched bodger’s hut, a man and boy working surrounded by chair legs at various stages. Probably in Hampden Woods, Great Hampden. April 1908. Museum Number MHW:02296. 

Why Chairmaking in High Wycombe?

Beech, ash, and elm trees all grow plentifully in the woods of the Chiltern Hills – at Stokenchurch, Frieth, Great Hampden, Bledlow Ridge, Radnage and Beacon’s Bottom. The timbers of these trees are well suited to making different parts of a chair. Beech trees, which are particularly abundant in the area, have timber especially good for making chair legs. It is hard, strong and lasts well. It is also easy for turners to work with.

High Wycombe’s position halfway between London and Oxford meant it was also well connected for transporting the finished chairs to sell.

Bodgers, oil on canvas, mid 20th century, by H.C. Hussey. Museum Number HIWLH : T 16.5.1997.1

Factories and Woodlands

Turners could be found in the local beech woodlands from at least the 1850s until the 1920s, with a few working into the 1940s. They often set up workshops in temporary huts, and using simple tools they worked amidst the growing beech trees. These turners, who came to be known as ‘bodgers’, made chair legs along with the spindles and stretchers – the straight, stick-shaped parts of chairs. These parts would go on to be assembled into Windsor chairs, but not by the turners.

In the factories and workshops around High Wycombe, the remaining parts of the chairs would be made, and along with the turned legs, spindles and stretchers, would be assembled into a completed chair by a ‘framer’. This division of labour between woodland and factory was unique to the High Wycombe area.

The framer puts the parts together into a finished chair. In some factories, he would have added his initials stamp to make sure he got paid for the chairs he made. Museum Number MHW:12489.

A close-up of a chair being ‘legged-up’ by a craftsman using a framer’s hammer. location unknown. date unknown. Museum Number MHW:12818. 

Why Are They Called Bodgers?

No-one knows for sure why chair leg turners from the Chilterns became known as ‘bodgers’. A bodger is usually someone who does a bad or an unfinished job. Turners were skilled craftsmen who did not seem to call themselves bodgers. The use of the term probably started in the 20th century, and certainly it is not used during the 1840s and 1850s when the number of turners working in the Chilterns reaches its peak. In fact, ‘bodger’ doesn’t appear in writing at all until 1911. Perhaps the factory workers who were completing the chairs first called them bodgers, because they were only beginning the chair and never finishing it!

While they may not have completed the chairs, they were accomplished craftspeople, producing many hundreds of chair parts in a week. They sold their wares in a group called a ‘gross’ which was the parts for 36 chairs – 144 legs and 108 stretcher parts. They would need to make two and half gross to earn a living wage of twelve shillings and sixpence to survive on. That’s 360 legs and 270 stretcher parts. Turners would work 12-hour days five and a half days a week, to earn their living.

‘I worked from the time I could see in the morning to the time I couldn’t see any more at night, and even then in the winter I saved the lathe work till after dark and stuck candle ends on the poppets and went on turning’.

An unnamed turner quoted by John Mayes in ‘The History of Chair Making in High Wycombe’.

In Hampden Woods, Owen Dean stacks chair legs vertically into a stack called a hedgehog. Great Hampden, December 1949. Museum Number MHW:02282.

Bodger Mr T H Gomme sitting in front of his hut on a shave-horse using a draw shave, in Lodge Wood, Prestwood. May 1929. Museum Number MHW:02307.

Turners in the Woods

Historically, the turning skills required by the chair industry had been applied to the production of bowls, spoons and other items, which provided a pool of skilled labour from which the chair part turners developed.

The turners worked by buying stands of trees from estate owners at auctions, which were then felled and made into chair stretchers and legs. Some worked in rough thatched shelters in the wood where the trees were felled. Others worked in sheds nearer to home.

‘Life in the woods was strangely enjoyable… carefree, and a bit lonesome if your mate was away. In the spring it was lovely, and the trees took on their fresh green leaf, and in the winter the sighing of the wind and the sight of the birds gathering in the branches when the smoke ascended at meal times’.

George Dean, a turner, reminiscing about days spent working in the woods in Ivan Sparkes ‘The Windsor Chair’

The Turning Process

The below images show the Dean brothers demonstrating every part of the process of taking a tree and transforming it into chair parts. The photographs were taken in Hampden Woods, Great Hampden, in 1949. 

George Dean is splitting the logs into sections using a metal wedge and a large wooden mallet (hammer) called a beetle. Museum Number MHW:02245 

Owen Dean is trimming the sections of wood, with a side axe. Each piece starts shaped like a very tall slice of cake and is made into a roughly rounded stick called a billet. Museum Number MHW:02315

Alec Dean is trimming the billets to make them more rounded using a sharp, two handled knife called a draw shave. He sits on a shave horse, which holds the billet in place. Museum Number MHW:12823

Alec Dean is shaping the billets into chair legs using a pole lathe and a chisel. Museum Number MHW:12830

The brothers have stacked the chair legs to season. Fresh wood contains moisture, which needs to be dried out slowly. Unlike most woodworkers, pole lathe turners work with unseasoned timber which is softer and easier to cut. Museum Number MHW:12821.

The beech logs were firstly split and roughly shaped using a side axe, and then further shaped with a draw shave while the turner sat on a wooden shave horse. The turner’s most famous piece of equipment, the pole lathe, was powered by a long, flexible length of sapling. The bend of the sapling provided power to spin the piece of wood to be cut into the desired shape and design. The finished article was then sold to the Wycombe factory owners. The metal-framed treadle wheel lathe was widely used as an alternative to the pole lathe. Some of the turners were self employed, while others seem to have worked in groups – there is record in the 1881 census of a ‘William Biggs, Stokenchurch, master turner, employing twelve men and two boys’. 

The census returns from 1841 onwards cast light on the distribution of turners in the area. By this date they are recorded living in High Wycombe, Great Kingshill, West Wycombe and Downley, villages evenly spread across the district. More than twenty bodgers lived in Radnage and Stokenchurch, while Great Kingshill, Beacon’s Bottom, Bledlow Ridge and High Wycombe had more than a dozen each. In several of the villages north of Wycombe turning was the only chair employment  – Holmer Green, Wycombe Heath, Widmer End, Bryants Bottom and Stoney Cross  – while the ‘hills’ villages, about four miles out of town to the northwest, all have turning as the most important chair-related employment.

Between 1861 and 1881 the number of turners in the district almost doubled, from 186 to 340, reflecting the still-rising demand for chairs. Stokenchurch and Radnage remained two of the most important centres but were joined by Beacons Bottom, and then overtaken by High Wycombe; all four settlements had 395 resident turners in 1881. Three villages still had all their chair employment in turning, and are found in a cluster about five miles north of the town   Bryants Bottom, Stoney Cross and Prestwood.

Saw Pits

Sharing the woods with the turners, at least until the introduction of steam powered circular saw, were the pit sawyers. They produced the planks for seats and other chair parts. Working in pairs, their job involved digging a deep pit over which they erected a wooden framework. The ‘under dog’ worked in the bottom of the pit while the ‘top dog’ stood on top guiding the saw. The overgrown pits can still be seen today in the woods surrounding the town.

Two men using a pit saw to cut a trunk into planks. Note the head of the second man in the pit under the log – known as the ‘under dog’. His sawing partner is the ‘top dog’. About 1920. Museum Number MHW:02312  .

Two members of the Stevens family, one working at a pole lathe in their workshop at Lacey Green. About 1900. Museum Number MHW:02308.

A Changing Trade & The Turner’s Decline

Between the years 1800-1860 the number of workshops in High Wycombe grew from a handful to one hundred and fifty, and by 1875 their total output had risen to an estimated number of 4700 chairs per day – a remarkable figure. The area in and around High Wycombe became the biggest producer of chairs in the country, and between 1851 and 1871 the population of High Wycombe Borough and Parish grew by 46%.

The transition from being a chair town to becoming the second largest furniture making town in the country took place between 1880 and 1920. During this period the Census records a surge in the number of cabinet makers, upholsterers carvers and marquetry cutters in the Town, in addition to the chair makers.

Stung by Randolph Churchill’s statement in Parliament that Wycombe chairs were ‘cheap and nasty’, a number of manufacturers began in the 1880s to diversify into making higher-class and more general furniture. By the end of the 1890s, Wycombe was supplying furniture for Liberty’s and other prestigious London stores.

Some of the larger East London furniture makers, such as Frederick Parker (later Parker Knoll), moved to High Wycombe and contributed to the change to a more broad-based furniture trade. The trade still demonstrated a mix of handcraft and more machine-orientated systems, but by the 1940s only a small number of turners were still working in the woods. The nature of the furniture production was shifting.

With the introduction of machinery, particularly after the First World War, production soared and the local trade extended the range of its products. The Second World War saw innovations that would later have a major effect on the furniture trade: box springs in upholstery were replaced by foam, staples supplemented woodworking joints, painted foils and papers were used in place of wood in the cheapest models, nitrocellulose could replace French polish, but probably the most important event was the development of plywood which was soon widely used.

Discover chairs with incredible stories

Wycombe Museum is best known for our furniture collection and chairs – we’re known to many as ‘The Chair Museum’.

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